COPIED
3 mins

path finders

A new exhibition by Paul Connell was inspired by a photograph he took of a lesbian couple in their 70s and 80s. It’s a celebration of the legacy passed on by ordinary lesbians and gay men, who lived their lives out of the closet in a very diferent Ireland to today.

The statement that goes alongside former GCN staff member, Paul Connell’s new photography exhibition at Dublin’s LGBT Centre, Outhouse says it “aims to recognise and personalise the legacy of older lesbians and gay men, and to acknowledge the contributions their lives and struggles have made to the political and social fabric of contemporary Irish society.”

Photography Older LGBTs – Pre-decriminalisation – Positive Aging

“When I saw the photograph, it hit me really hard, what extraordinary lives they must have lived.

Although the project was kicked off by one photograph of an older queer couple, it began on a less conscious level for Connell with the passing of his mother in late 2016.

“That was a shock,” he says. “The idea of loss, the fear of loss, of a life vanishing with no chance of whatever their achievements were being recorded, being recognised. Unconsciously, that was motivating me, and then purely by accident, I photographed a lesbian couple in their late 70s, early 80s. “When I saw the photograph, it hit me really hard, what extraordinary lives they must have lived. To reach this point as a couple in love, to have been feminists, queers, lesbians, and never to have conformed, not having gone through the period of being married and leaving husbands – they lived in a period when they probably didn’t even have words for it, yet somehow there they were together.”

“There was a lot of whitewashing of the old queers, or the more radical ideas, so I wanted to bring it down to seeing the individual rather than ‘the gay community’.

To begin with, Connell continued taking photographs of older lesbians, but as time went on word of mouth grew, and men started coming into it. “All the images are taken the same way,” Connell explains. “I was looking at historical references, particularly early German photography, but also when you photograph everybody in exactly the same way, you’re creating a sort of visual categorisation. What happens is that the individual stands out; you’re identifying the individual. “Post-referendum there’s been a lot of people asking ‘is this what we fought for?’ There was a lot of whitewashing of the old queers, or the more radical ideas, so I wanted to bring it down to seeing the individual rather than ‘the gay community’ as we have come to be seen. “There’s a lot of this work happening now. The anniversaries of British and Irish decriminalisation, GCN turning 30, Outhouse is 25 this year; there’s a lot of interest in and recognition of where we came from, of our history.”

“I believe that we are never more beautiful than we are now. This is who I am, scars and all.”

Connell, who is in his 50s, was surprised by some of the things that arose while working on the project. “I think there is a lot of vulnerability in the pictures,” he says. “One thing that came up for me was the price people paid emotionally, the damage inflicted by being out and having to live your life like that. There was a period when every gay man was a criminal under the law, and that had a huge effect. We have to look at it and say, ‘they did this to me, but I’m here’. There’s a real recognition of personal lives, of achievements. “They lived in a period of utter transgression too, and there was a lot of fun in that, being transgressive and developing ideas. There was hardness to life, but you have to balance it up with a lot of craic going on.”

There were other learnings for the artist. “I think I learned to respect my elders and to see myself as an elder too,” he says. “To recognise the value that we as elders still have to give, which must be recognised and allowed to be shared with the people who possibly dismiss and make invisible all those people who are aging. “Recognising my own aging process, I’m thinking I’m probably better now than I’ve been in my whole life. “I believe that we are never more beautiful than we are now. This is who I am, scars and all. It’s about finding our own strength to look at ourselves as we age, that’s most important.”

Path Finders opens at Outhouse on April 19, www.outhouse.ie

This article appears in 341

Go to Page View
This article appears in...
341
Go to Page View
FROM THE EDITOR
Getting older in the LGBT+ community is not all it’s cracked up to be
WE ASKED THE TEAM WHO IS YOUR OLDER HERO?
We’ve a focus on positive ageing in this issue, so
Water Cooler Chatter
When he appeared last month on Jarlath Regan’s An Irishman
All About EVA
The 38th EVA International, Ireland’s Biennial of Contemporary Art will
Khan Do
Twirling into the Bord Gáis Energy Theatre to launch the
Worlds Collide
The Live Collision International Festival returns this month to shake
Stray Cat Strut
The Kilkenny Cat Laughs comedy festival is rearing its funny,
GCN 30 Exhibition
As part of the ongoing celebrations of GCN’s 30th Birthday,
Hope of a Nation
With a still record-breaking seven wins under our belts, Ireland
Editor at Large
For all you bookworms out there, the Cork World Book
Town Hall Talks: At Swim Two Boys
This month, GCN returns to the Dublin International Literature Festival
QUEER VIEW MIRROR
A friend tells me she has been going out at
THE BOOK GUY
What’s keeping Stephen Boylan up at night this month?
If you like this, you might also like…
David Hallberg made history in 2011 when he became the
modern anthem 007 Charting The Songs We Love So Well
At the turn of the millenium, ater a decade of experimentation and mixed reactions, Kylie returned to the sunshine pop she did best with the stormer, ‘Spinning Around’. It was an instant hit that not only turned her career around, but sealed her status as a gay icon
The Verdict
Given Kylie Minogue’s penchant for high-camp costumes and reinvention, it’s
I don’t hate the people who were so homophobic and racist to me
Whatever you may think about music labels being open to queer artists nowadays, Parson James, out ‘n’ proud singer of the mega-Kygo hit, ‘Stole The Show’, was told to tone the gay down. Here he talks to Conor Behan about the homophobia and racism he experienced in his youth and in the industry, and how he’s the one in control now
Stage Left
From its early, determined beginning, inspired by Oscar Wilde and the weight of shame still carried post-decriminalisation, the International Dublin Gay Theatre Festival is now heading into its 15th year as the largest event of its type in the world. Festival founder and artistic director Brian Merriman discusses where it began, where it’s been and what’s in store for this special anniversary edition with Peter Dunne
A New Group for a Changed Country
A new LGBT+ organisation has emerged ater the closer of GLEN last year, with aims to be a national support. Peter Dunne meets its key players. Photos by Babs Daly
path finders
A new exhibition by Paul Connell was inspired by a photograph he took of a lesbian couple in their 70s and 80s. It’s a celebration of the legacy passed on by ordinary lesbians and gay men, who lived their lives out of the closet in a very diferent Ireland to today
Trans Contradiction
In January hundreds of people took to the streets to protest a lack of adequate access to healthcare for trans people in Ireland. While nine new trans healthcare workers are currently being put into place, two of the leading Irish clinicians in the area say they will not be using the treatment model that the government, HSE and TENI recongise as best practice. Stephen McCabe reports on a contraction at the heart of trans healthcare in Ireland
What pushed me to begin the #ThisIsMe transgender healthcare campaign
Imagine this: You’re 24 years old. You’ve known for many
Everybody Sings at Bealtaine
May sees the return of the annual Bealtaine festival, a
GENEROUS GAYGLERS!
A big shout-out from all at GCN and our publishers,
INSIDE OUT
73 year-old Eddie Parsons is a facilitator with the Gold group for older gay and bisexual men, which meets every Wednesday at Outhouse. Ater leaving school he joined a monastery; then he married and had two sons. He sufered from depression before coming out, but has found happiness in later life. Photo by Babs Daly
With all the messages we’re given in queer culture, it’s hard not to dread getting older. To counteract it, we should embrace elder LGBTs as positive role models
They say that there are only two guarantees in life:
Shirley’s Burn Book
Connie Moriarty gives head behind the bike sheds and…
Looking for back issues?
Browse the Archive >

Previous Article Next Article
341
CONTENTS
Page 30
PAGE VIEW