IGRM: A Movement in Name and Deed | Pocketmags.com

COPIED
9 mins

IGRM: A Movement in Name and Deed

As the IGRM (Irish Gay Rights Movement) marks its 50th anniversary this year, Tonie Walsh looks back on the people that made it happen, alongside momentous and tumultuous times in the battle for equality.

Credit: Trevor Noble

It may have been short-lived, but the Sexual Liberation Movement (SLM), established in late 1973 at Dublin’s Trinity College, seeded many critical, foundational connections in Ireland’s nascent LGBTQ+ civil rights movement.

The radical, ad-hoc Gays Against Repression (GAR) immediately comes to mind as does the more mainstream, reformist organisation, the Irish Gay Rights Movement (IGRM).

Just four months after SLM organised an enormously successful symposium on homosexuality, IGRM was established in June 1974 by a group of men and women, some of whom had met either at SLM or its homosocial space, The Good Karma, on Strand Street. Among the group were David Norris, Seán Connolly, Clem Clancy, Edmund Lynch, Kenneth Jackson and Martin Barnes.

A public meeting was called on Sunday, July 7, at Dublin’s South County Hotel, formally ushering in IGRM with the clarion call: Who Are Homosexuals?

Many of the 30 people in attendance would go on to play pivotal political and social roles in the new gay civil rights organisation.

An office was quickly acquired at 23 Lower Leeson Street, and when discos at The Good Karma came to an end, IGRM began hosting cheese and wine fundraising events from its downtown HQ.

“All of us involved at the time, some more publicly than others, would have been in our mid-20s and upwards,” remembers Clem Clancy, who assumed the role of treasurer and financial controller. “We had full-time jobs, were confident and secure, although some people worked behind the scenes for fear of being exposed publicly and risk losing their jobs.”

The organisation grew rapidly in its first year, cultivating support from Ireland’s liberals, among them Dr Noel Browne, former Minister for Health, and Kadar Asmal of the Irish Council for Civil Liberties who helped IGRM prepare an early draft of a Sexual Offences Bill.

A constitution was adopted in September 1975. Among its objectives were the achievement of equality under the law, the acquisition of premises for social activities and the provision of befriending services.

Credit: David Norris Collection, courtesy of Irish Queer Archive/National Library of Ireland

In tandem with the Northern Ireland Gay Rights Association (NIGRA), switchboard services Cara-Friend and Tel-A-Friend (TAF) were set up on respective sides of the border. TAF, now called The Switchboard, remains the oldest, continuous LGBTQ+ organisation on the island of Ireland.

Joining the executive at this point were Terri Blanche, Jimmy Malone, Noel Clarke, Kenneth Watters and Seamus O’Riain, all geared up for the next phase in IGRM’s history.

A circular from Oct 1975 announced the commencement of the Phoenix Club Disco every Friday and Saturday in the basement of 46 Parnell Square East. An exclusively women’s night, The Lavender Room, operated once a month, helmed by among others, Phil Carson, Terri Blanche and Joni Crone.

“Initially we had the ground floor and basement of No. 46, but within six months we took a two-year lease on the entire building, in effect establishing Ireland’s first gay community centre,” recalls Clancy. The Cheese ’n’ Wine events continued on alternate Sunday afternoons. The expansive four-storey-over-basement Georgian building at Parnell Square allowed for the establishment of a library, and various sub-committees met in the upstairs offices, focussing on legal, educational, media, social and religious affairs.

Noel Walsh recalls setting up a theatre group, The Phoenix Players: “It was amateur night at the Ritz!”

“How it came about was we did a pantomime. I can’t remember the actual date but I’ll say it was Christmas of ’76. Terry Shadwell, who later edited In Touch newsletter, was also involved. We turned the basement disco into an auditorium and the toilets doubled up as dressing rooms. The pantomime script was fairly loose. It was hilariously funny because none of us had done anything like this before, but we wanted to have some fun and do more social stuff. Someone even went to the trouble of printing ‘Phoenix Players’ t-shirts, which may have been overly ambitious as we ever only did that one pantomime.

“There was talk of putting on Many Young Men of Twenty, the John B Keane play, but nothing came of it.”

The 1970’s was an exciting if troublesome decade in Ireland. Civil rights agitation was a daily occurrence in the North, along with a corresponding spill-over of violence. The second wave of feminism was in full swing, as was public service broadcasting. Ireland joined the European Economic Community (progenitor to the EU), membership opening up the possibility of new economic, cultural and social links at a time when the country was wrestling with its religious and social conservatism and forever one step away from economic bankruptcy.

This was the decade when secondary school education became free, allowing a generation to dream and hope for better times. It was a decade when conversations around political, ethnic and gender identity loomed large and IGRM was very much part of that wider public discourse.

By late ’75, monthly coffee afternoons at random Leeside locations were sufficient enough to encourage the establishment of Cork IGRM. According to Patrick McDonagh in his terrific book, Gay and Lesbian Activism in the Republic of Ireland, 1973-1993, one of the biggest challenges the local group faced was finding suitable premises from which to organise.

It would be 18 months before Cork IGRM acquired such a space. One of its founders, Cathal Kerrigan, has a fond memory of the sense of community building that grew out of rehabilitating a run-down space at 4 MacCurtain Street and giving it a new sense of purpose: “We set up a little coffee bar and that’s how it began."

Rural outreach programmes involved members of Dublin and/or Cork visiting various locations in Limerick, Waterford, the Midlands and Border counties with a view to putting isolated people in touch with each other and potentially seeding more formal structures locally.

Credit: IGRM Collection, courtesy of Irish Queer Archive/ National Library of Ireland

As the organisation grew in strength, so too did its visibility. IGRM chairman, David Norris, became the first openly gay person to appear on Irish television in July 1975. RTÉ would return to Parnell Square in 1977 for an even bigger programme, Last House, that also featured interviews with other members of the organisation, including Jimmy Malone, Seán Connolly and Phil Carson.

By this stage the organisation had championed two shows by Gay Sweatshop at Dublin’s Project Arts Centre. The English agit-prop theatre group’s appearance generated huge media interest and controversy, leading to Dublin City Council’s withdrawal of funding from Project.

Other fissures erupted, driven by ego clashes and ideological differences within the organisation.

After an administrative upheaval in 1977, David Norris, Bernard Keogh, Edmund Lynch, Tom McClean and Brian Murray left to pursue the establishment of the Campaign for Homosexual Law Reform. Within two years, they were joined by other former IGRM members Tony O’Shea and John Cronin, both resident DJs at the Phoenix Club during its halcyon days. This ever-widening group set about establishing a new organisation, the National Gay Federation (now known as NXF) and a new community space, the Hirschfeld Centre, in what was then a decrepit, run-down part of the city now known as Temple Bar.

No. 46 Parnell Square had been shuttered for over a year when the Hirschfeld Centre opened on St Patrick’s Day 1979, ushering in a new chapter in Dublin and Ireland’s LGBTQ+ history. However, within a year, IGRM was in a position to open a premises just off Bachelor’s Walk.

The location of the new Phoenix Centre on North Lotts presented all sorts of threat and danger, as much then as it does today. Eamon Redmond remembers his first visit to the centre in 1980. “I knew about the Hirschfeld Centre and often walked up and down the street but couldn’t find the courage to go in. I would have been 18 and a little bit awkward as I’m on the autism scale. So my first visit to the Phoenix Centre was with a guy whose name I’ve forgotten. One of the first people I met was Trevor Noble. You’d often see him working in the building.

“Most disco nights, Clem and Seán would be on the cash desk. Seán would have his back to the door, bracing for the regular kicking it got [from homophobic assaults]. For passers-by, there was no escaping the knowledge of what went on in the building as the brass plaque clearly spelled out the name: Irish Gay Rights Movement.

When leaving the premises, you’d always take a peek beforehand through the little spy hole to make sure the coast was clear. Once, a group attacked the door with hammers and axes. I have a photo of me standing next to the damaged door.”

Relations between the founding figures in IGRM and NGF remained frosty throughout the early years of the new decade, occasionally become hostile and petty. And quite public. Each organisation produced its own newsletter called In Touch, until NGF dropped the ridiculous conceit in 1981.

By this time, Trevor Noble was responsible for photos at In Touch (IGRM), even getting to redesign the newsletter’s masthead. “I always had a talent for or affinity with graphic design and had friends who were professional photographers.”

Noble’s relationship with IGRM stretched back to Parnell Square days, when he would often drive from his home in Ballinasloe to attend the weekend disco or meet fellow members of the “Lonely Gays Society,” one of the centre’s support groups.

Noble would also try his hand at some illustrations and cartoons, some of them quite risqué for the time and even more so today. He gave In Touch a complete overhaul for what would be its final outing in autumn, 1982. The 20-page, glossy-covered A5 edition overseen by IGRM general secretary, John F Ryan, included a feature on the Dublin Castle sex scandal, a critique of Roman Catholic thinking on homosexuality, two pages of personal ads and a short shorty/memoir by Joseph Ambrose.

By 1984, IGRM was no more, its social focus overtaken by the Hirschfeld Centre and a burgeoning commercial social scene, while its original political imperative was advanced by NGF, the Dublin Lesbian and Gay Men’s Collective, and smaller groups in Galway and Cork.

As it marks its 50th anniversary this summer, IGRM and the men and women who enabled it deserve our admiration and respect for establishing Ireland’s first LGBTQ+ community centre, for challenging the absence of positive lesbian/gay role models on Irish radio and television, laying the ground work for decriminalisation and equality legislation and ultimately establishing a legitimacy to our right to exist in Irish society.

Some of those founding men and women of IGRM are sadly no longer with us but for many of the remaining others, you’ll have a chance to show your love and gratitude at a special 50th anniversary event on Wednesday, July 3, in the Morrison Hotel, Dublin 1.

The Irish Queer Archive at the National Library of Ireland holds a significant collection of IGRM organisational and financial records along with a full collection of its newsletters (1974-1982). Cork LGBT Archive also has a small collection associated with the Cork branch.

This article appears in 384

Go to Page View
This article appears in...
384
Go to Page View
FROM THE TEAM
Welcome, dear reader, to the Pride edition of GCN for 2024!
Leading the charge
Earlier this year, Stefano Pappalardo was appointed the new Manager of GCN. Having been with the organisation since 2017, he traces back through his journey so far and explains why he remains committed to serving the LGBTQ+ community.
The Next Chapter
The NXF and GCN are proud to announce Alice Linehan as the magazine’s new Editor.
OUR RAINBOW COMMUNITY NEEDS YOU
Before you know it, Pride month is upon us and we find ourselves in a sea of rainbow flags, events, celebrations, protests and awareness initiatives.
THE PRIDE POLITICAL DEBATE
The annual Pride Political Debate returns again this year!
PREPARE TO SHINE
As Dublin Pride gets ready to take over the Irish capital for its 2024 festival this June, find out what you can expect from the historic celebration.
INTERSEX IRELAND
We at Intersex Ireland were overjoyed in April of this year by the United Nations’ declaration at the 55th session of the Human Rights Council to combat discrimination, violence, and harmful practices against intersex persons.
RESILIENCE AND PRIDE: Our Stories, Our Strength
In 2024, Pride will mark the second anniversary of Queer Asian Pride Ireland (QAPI) since its formal announcement in 2022.
Forty & Fabulous
This year, Gay Project is commemorating a remarkable milestone: its 40th anniversary since its grassroots beginnings. This milestone is a time to reflect on the organisation’s journey, celebrate its achievements, and introduce two individuals poised to lead the charge into a new era of empowerment.
Dear Strangers...
While growing up in a small town can cause challenges when it comes to finding the confidence to live out and proud, Beth Healy shares how one stranger’s random act of kindness helped her accept her sexuality.
Digging up the past
Together with their podcast partner Oran Keaveny, Iarf hlaith O’Connell is rethinking his relationship with Irish queer history as their identity has evolved. While previously they felt represented by iconic lesbian figures, are the trans-masc heroes they discover as equally affirming?
Sites of Dreaming
Shia Conlon is an Irish writer and artist based in Helsinki whose work has been centred around marginalised voices and growing up in the landscape of workingclass Catholic Ireland. His current research is focused on non-linear time and how to use the power of archives, language and memory as tools for queer representation.
Modern Love?
A fascinating and exciting upcoming play looking at modern romance in the queer community is about to hit Dublin’s Project Arts Centre. Elliott Salmon sat down with its writer and star to get the lowdown on its inspiration.
Queer as bans
Beatrice Fanucci describes how for many queer people who don’t see themselves represented in mainstream media, fanfiction is a way to reclaim their rightful places in the story and write their queerness into their favourite characters.
Read with Pride this year
At Children’s Books Ireland we champion diverse and inclusive books that best reflect the world, with characters of all genders and sexualities, families of all kinds.
WHAT MAKES A PERFORM … ANCE SHINE?
As we gear up for Dublin Pride, performers across Ireland are putting their finishing touches on their sets. This year, the theme is ‘Shine’, so Sarah McKenna Barry caught up with a number of artists to determine what makes a Pride performance pop.
A Prom for all
Prom – or ‘the debs’ as it’s more commonly referred to in Ireland – means different things to different people. For some, it’s a chance to be crowned king or queen, for others, it’s a chance to get dressed up, and for most, it’s a last chance to party with school friends. But for many queer people, it wasn’t that simple, which makes the Bealtaine Festival’s queer prom all the more special. Han Tiernan gets the lowdown on one of the festival’s highpoints.
PRACTICING POLYAMORY
Involved in a polyamorous relationship herself, Nicole Lee clears up common misconceptions and breaks down the different types of relationships that fall under the poly umbrella. She invites readers to combat stigma and any feelings of shame
Proud and Prepared: A Community Collaboration
To ensure everyone has a healthy and safe Pride, LGBTQ+ organisations including Gay Health Network, Man2Man.ie , Gay Men's Health Service, Belong To, LINC and Dublin Pride have launched the Proud and Prepared initiative.
Bród!
An Queercal Comhrá is a group of LGBTQ+ Irish speakers who meet on the third Thursday of every month. The group is now gearing up for their annual Bród celebrationAn Bál Aiteach. Ciara Ní É shares the joy in celebrating queerness and the Irish language.
Soft Touch
Dónal Talbot is a photographer and artist based in Dublin, Ireland. His work is predominantly based in portraiture and uses its intimate qualities as a tool to showcase and empower the LGBTQ+ community through representation in art.
HOMOPHOBIA IN AFRICA : ITS LEGACY AND PREVALENCE
In an in-depth report, Daniel Anthony unveils the complexities of homophobia, pre-colonial attitudes towards same-sex relationships and drivers of homophobia in contemporary African societies
Stars Rising
Earlier this year, the ‘Being the Artist I Am…’ competition was launched in celebration of the life of Northern Irish trans artist, Jordan Howe, who passed away 10 years ago. Young trans, non-binary and gender non-conforming people from all over the country entered, with James Hudson speaking to the winner and two shortlistees about their art and how creativity impacts their lives
Happy Pride from GCN!
To all the wonderful members of our rainbow family: you are loved and deserve to be celebrated.
A NEW GENERATION OF ACTIVISTS
Ireland’s national LGBTQ+ youth charity Belong To has been named the Grand Marshall of this year’s Dublin Pride Parade. Ahead of the march on June 29, Chris Rooke spoke to five young activists who will be at the forefront about the importance of community and how they hope to impact the future. All photos by Babs Daly.
IGRM: A Movement in Name and Deed
As the IGRM (Irish Gay Rights Movement) marks its 50th anniversary this year, Tonie Walsh looks back on the people that made it happen, alongside momentous and tumultuous times in the battle for equality.
WHAT TO FIGHT FOR THIS PRIDE SEASON
In 1974, a small group of people gathered in Dublin to protest the criminalisation of homosexuality in Ireland. Nowadays, Amazon, Google, and Facebook claim to be allies, while LGBTQ+ people deal with unaccepting families, environments, and barriers to accessing healthcare. Brídín Ní Fhearraigh-Joyce discusses how Pride has become less radical while there has never been more at stake
REFUGEES WELCOME!
In 2022, Rainbow Refugees NI led the Belfast Pride Parade with the powerful message ‘Refugees Welcome’, proudly challenging a rising homophobic and racist anti-immigration rhetoric across Ireland and England. In conversation with Oisín Kenny, researcher and learning officer Chougher Maria Doughramajian speaks of the joy in hearing her first language in queer spaces
Queen Mother
A flurry of rose petals cascade over a bald head as the beat drops for the first chorus of Whitney Houston’s ‘So Emotional’. This is was the moment that changed the course of RuPaul’s Drag Race and made a global star of Sasha Velour. In advance of her performance at the Mother Pride Block Party, the iconic queen spoke to Ethan Moser about what to expect
Royal Welcome
Known for her eclectic style that blends hip-hop, electronica and punk rock influences, American rapper and DJ Princess Superstar has been a fixture of the international music scene for roughly three decades. Alice Linehan spoke to the artist ahead of her takeover of the Mother Pride Block Party stage on June 29, it promises a set that crowds won’t soon forget
Grey Area
Galway raised and now based between Cork and Berlin, Maclaine Black is a photographer, filmmaker and visual artist. Their work focuses mostly on portraiture and events in the techno scene; shot almost exclusively in black and white.
Welcome to your LGBTQ+ Centre
Photo by Anna Mello Allow us to reintroduce ourselves, Outhouse LGBTQ+ Centre is coming out again this Pride!
THE GREEN IN THE RAINBOW
For many Irish people throughout the generations, leaving Ireland was inevitable. From the mid-19th century to now, emigration is a distinctively Irish trait. It is something many Irish people have in common, but for queer people, leaving Ireland for pastures new can be a vastly different experience. In advance of Pride, Brian Dillon checks in with queer groups making communities for those who have made new homes overseas.
FROM BAD TO WORSE
The past year has seen sharpening conflict and contradictions over trans healthcare in Ireland, with the government dropping any commitment to improve the healthcare situation, alongside growing protest and mobilisation over the issue. Fiadh Tubridy shares an urgent call to arms.
FROM THE SHADOWS TO THE SPOTLIGHT
The Irish Queer Archive at the National Library is Ireland’s most extensive collection of LGBTQ+ materials. As if the community needed reminding, Shaun Lavelle, the Library’s Communications and Marketing Executive, describes just why this essential archive matters. All images courtesy of the Christopher Robson Collection, the National Library of Ireland.
FILM AS COMMUNITY
As GAZE finalises its packed 2024 programme, festival director Greg Thorpe considers queer cinema in Dublin, discusses being at the helm of three festivals, and teases what lucky audiences can expect this year.
Access All Areas
As companies dust off their rainbow logos and products for another round of Rainbow Capitalism, it’s time to reflect on the true meaning of Pride. Pride started as a protest and while corporations want to pretend they’ve been supportive the whole time, they haven’t. Ollie Bell writes about how Pride is becoming more about making a profit to the detriment of isolating genuine radical activists, especially queer disabled activists.
WHY PALESTINIAN LIBERATION IS A QUEER ISSUE
“In our thousands, in our millions, we are all Palestinians.” This familiar chant, which can be heard at the national marches for Palestine in Dublin, is a demonstration of solidarity.
Looking for back issues?
Browse the Archive >

Previous Article Next Article
384
CONTENTS
Page 72
PAGE VIEW