Uncovering Queer Spaces in Italy | Pocketmags.com

COPIED
3 mins

Uncovering Queer Spaces in Italy

When Charlotte Herrmann moved to Rome in 2022, the last things that came to her mind were the challenges she could encounter regarding her queerness. She was aware of conservative politics in Italy, but did not expect to struggle with homophobia in the capital of the country. She describes how finding a queer community changed everything.

Arriving in Italy, at first, fear did not take up space in my mind, as I was open with my sexuality and identity. Only when I went to the city with my girlfriend at the time, I started to feel uncomfortable showing affection in public. That feeling grew bigger as I tried to live my identity unapologetically and got confronted with unprecedented homophobia.

Throughout time, I slowly started to realise how much of myself I was forgetting and hiding, how my voice lowered anytime I would bring up my identity, how I would think twice before making a joke about it, how I restrained myself from kissing someone I liked in public.

As I started to feel less comfortable in the city, I tried to discover LGBTQ+ safe spaces in which I could find a sense of freedom again. First, I found a few gay bars that I thought would be welcoming places. At first glance, the places seemed attractive, having terraces right in front of the Colosseum, exhibiting the rainbow flag proudly. I soon realised those places were mainly inclusive for gay men or for tourists.

After a few months of struggling to find proper queer places, I discovered a whole new parallel world almost hidden in the city. The first place I went to was mentioned to me by a German friend. It was located in a small obscure street, not a noise could be heard, the entrance was a black reinforced door blending into the building. It took me 15 minutes to find the entrance.

I first had to go through a dark hall, where a person was checking people’s membership cards. The moment I bought that card, I could not have imagined the world it would lead me into. I remember entering the room, which was small, a bar on the right, people sitting at tables and on couches, drinking beers and smoking, all watching a movie about the techno scene in Berlin. I was amazed by the place as I sat down with two of my friends. If the place looked so dark at first, I knew I had finally found somewhere full of light.

I learned later that night that many places in Rome were part of the same organisation, which made me eager to try them all. The one that marked me the most was located on the side of a huge road, behind fences, in what looked like an abandoned beige building. I was struck by confusion when I first saw the entrance, even wandering around it a few times to make sure I was at the right place. Once inside, I headed over to the main room, where shoes had to be removed. Now only wearing socks, I walked across dozens of carpets, surrounded by plants.

A group was gathered on the ground, forming a circle, to discuss a book on feminine sexuality. Sitting on a bench next to them, I felt happy. I ended up returning there for most of the events they organised, each time arriving early to put on the glitter and clothing provided by organisers, then perhaps getting a tarot reading in the middle of the room, or dancing to classical music barefoot. It was a freeing environment, seeing queer couples all around dancing and kissing, people being able to walk around half-naked without fear. I was reassured upon stepping one foot inside.

Being in those spaces allowed me to live again, allowed me to rethink my sexuality as something new. For that year, it felt I was living between two opposite worlds, one where I was afraid to hold hands with my partner, another, where I was in a glittery fantasy. It felt quite freeing to find that alternative reality. Even if it took me a while to find it, it was necessary.

I haven’t stopped looking for queer spaces ever since. I was not aware of the need I had to find them before, a need to embrace the freedom that queerness can bring to you. Even if I can feel quite at ease in non-queer spaces, there is always that little spark of fear ready to explode at any moment. Finding these venues allowed me to consciously protect myself from a world of brutality.

This article appears in 383

Go to Page View
This article appears in...
383
Go to Page View
From The Team
Welcome, dear reader, to the April/May issue of GCN.
Future Plans and Future Proofing
As Chair of the National LGBT Federation which publishes GCN along with working to achieve the NXF Strategy 2023 - 2026, I thought I would let you all know how 2024 is going so far.
Creating Inclusive Spaces: A Reflection and Call to Action
It’s no accident that our Strategic Plan at Outhouse LGBTQ+ Centre is titled Space for All. As an organisation deeply rooted in our community’s history, we have proudly supported LGBTQ+ people.
Creating Comfort
Creating Proud Spaces in Rural Communities is an initiative developed by Youth Work Ireland and supported by the Department of Children, Equality, Disability, Integration and Youth.
Over the Rainbow: Tackling Rainbow Washing At Pride
It will come as no surprise to readers of GCN that Pride’s origins are rooted in protest. The brave actions of LGBTQ+ people throughout history, notably the Stonewall riots in 1969.
Inside SLM
As Dublin Pride prepares to celebrate 50 years since the first Sexual Liberation Movement demonstration for Homosexual Law Reform in 1974, Ethan Moser continues his series highlighting the founding members of the SLM
Uncovering Queer Spaces in Italy
When Charlotte Herrmann moved to Rome in 2022, the last things that came to her mind were the challenges she could encounter regarding her queerness. She was aware of conservative politics in Italy, but did not expect to struggle with homophobia in the capital of the country.
In Tune
It’s an exciting year ahead for Glória, Dublin’s LGBTQ+ choir. They have a busy per formance schedule for the rest of 2024, and their new Musical Director, Leah Mullen, is leading the charge.
Behind the Curtain
The process and craft at the National Theatre are at the heart of our backstage tours.
Finding My Feet
Abigail Sinistore has been “studying abroad” in Dublin for four months now, and during that time, the Irish LGBTQ+ community has become a second home to her. But, as the writer explains, it wasn’t always that way.
Safety in Numbers
In dialogues revolving around the concept of safe spaces, familiar refrains echo, revealing enduring challenges: a persistent scarcity, lack of diversity, sometimes visibility, and sporadic lapses in security. Swantje Mohrbeck speaks to those who work to ensure a ‘safe space’ is a reality more than a buzzword.
Mother of All Parties
As the days get longer and the nights get hotter, it gets easier with each passing day to believe that Pride season, and the Dublinfavourite Mother Pride Block Party, are just around the corner. Ethan Moser fills us in on what treats lie in store.
H.A.M.ing it Up
To write the history of H.A.M. is to write the history of one of the most significant chapters in the social and cultural fabric of Dublin. Han Tiernan explains how its evolution would irrevocably shift the club scene and queer nightlife and would leave an indelible mark on Irish theatre, drag culture, art, and even graphic design.
Where Do We Go From Here?
The Care referendum, which was ultimately defeated by the Irish voting population earlier this year, caused much hurt for disabled folk, who felt overlooked and excluded by many community organisations and activists. In the aftermath, Alannah Murray discusses the damage done, as well as how best to move forward.
Nothing About Us Without Us
Across Ireland and the rest of the world, the struggle for disability rights has continued for a long time. One of the activists involved in the early days of the Irish movement, Suzy Byrne, shared with Beatrice Fanucci why it is essential that the voices of those affected should be the ones to lead the charge.
Stage Mums
Four years ago, two native Corkonians, PJ Kirby and Kevin Twomey, sat down to record the very first episode of I’m Grand Mam. The pair shared with Elliott Salmon how an idea, developed on the back of an aeroplane sick bag while they sipped on-flight red wine, transformed into a massively successful podcast and an upcoming live tour.
Name Your Queens
It’s been two years since I last interviewed Pillow Queens for GCN ahead of the release of their second studio album, Leave The Light On. A lot has happened in that time.
Directory
Listings - Organisations - Supports
Directory
Listings - Organisations - Supports
A Milestone
The Cork Women’s Weekend is about to celebrate its 40th anniversary this May Bank Holiday weekend, and it’s going to be fabulous! Founder of the Cork LGBT Archive, Orla Egan, and members of the Cork Women’s Weekend Committee, fill us in on what to expect. Images courtesy of Cork LGBT Archive.
FOND FAREWELL
After an amazing tenure as Group Manager, Michael Brett shares his GCN journey and makes a call to support our national queer media.
Looking for back issues?
Browse the Archive >

Previous Article Next Article
383
CONTENTS
Page 10
PAGE VIEW