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THIS IS ME

Up until the day she moved from Brazil to Ireland, Leticia Barbosa never really thought of herself as part of the Black community, but a new country brought about a new realisation of identity.

In Brazil, I grew up in a social environment where being a Person of Colour never changed how I was treated or even the opportunities I would have throughout my life. Even though, especially during my childhood and teenage years, I struggled because I did not see people that look like me represented in the media, I still did not identify as being Black.

I remember that as a child, choosing a character that I identified with was a struggle, I had a hard time choosing the themes for my birthday parties because no matter which one I chose, I would not look like the character because I was too dark. This frustrated me a lot. But that was the extent of it — the lack of representation. However, things changed when I moved to Ireland. As soon as I arrived, I realised that society here sees me as part of a community I had never seen myself as part of before. And things are not as simple as saying: “I was part of X and now I am part of Y, let’s move on.”

This changed the way I saw myself in society, and I started questioning many things. The main thing I found myself asking was: why was I placed in two different positions in society?

Before I started writing this article, I discussed the topic with some friends who are also both Brazilians and People of Colour. While some identified themselves as part of the Black community, others did not. We agreed that such a dissonance might be related to the person’s experience with racism and that racism in Brazil could be closely related to how dark the person is and/or their socio-economic status. This means that people with darker skin might be more likely to suffer some discrimination.

Such an explanation would explain why I did not recognise myself as part of the Black community as a child. I am a relatively light skinned Black person, and I always studied in private schools – racism was not something I had to worry about.

However, in Ireland, such nuances do not exist. So, I had to navigate those labels and figure out how each of them fit into my life. Here, I am a Black foreign woman, and I have to pave my way and prove to myself and to others that I am worth being where I am.

A few years ago, while I was doing my Undergraduate degree, one of my professors said to me that I would not be able to get first-class honours because I was not born here and my English did not make sense, even though I had great grades and had been living in Ireland for years. In the end, I did get my first-class honours, not to prove them wrong but to prove to myself that I should not let those kinds of ‘opinions’ dictate my life.

Still, last year, while doing my Masters degree, I found myself struggling with representation again. But this time, the lack of Latinx representation in the media caught my attention, resulting in most of my work being focused on the topic. When existent, most Latinx representation is extremely stereotyped, resulting in a share of society perceiving such stereotypes as real assets. And, on personal experience, I can say that this is true. The number of people who perceive the Latinx community as ‘hot’ and ‘exotic’ is insane.

This has made my dating life even trickier because it is not uncommon for me to hear comments like “Brazilians are so sexy” when I tell someone where I am from.

While dealing with all that stuff is a constant challenge, it is also a process that teaches me a lot about myself and makes me feel seen and more represented.

And after realising that I am not remotely close to finding out who I am and how all those labels fit into my life, the only thing I am sure of is that if by exploring all those things, I make it easier for other Black Brazilian women who live abroad, it’s enough.

So, I hope one day, a girl can see herself represented in me and feel inspired to be her authentic self. When that happens, I will breathe, relieved that it was all worth it.

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FROM THE TEAM
Welcome, dear reader, to the August/September edition of GCN.
THE NXF DURING PRIDE SEASON
We were delighted to use the occasion of the 2022 Dublin Pride Parade to unveil a new banner showcasing our rich legacy of campaigning dating back to 1979.
BEING ‘OUT’ IN THE WORKPLACE
Being queer means constantly questioning your identity and how you represent yourself to those around you, shares Leah Downey. There is a constant need to gauge the reactions of others, to understand if you are safe to be out or if it becomes a source of social isolation.
THIS IS ME
Up until the day she moved from Brazil to Ireland, Leticia Barbosa never really thought of herself as part of the Black community, but a new country brought about a new realisation of identity.
Sea Change
“My younger self always dreamed about traveling, so when I learned about a program that did internships abroad I knew this was my chance”, shares Olivia Fraser.
Scrambled Eggs & Androgyny My Genderqueer Story
Zayda Slabbekoorn shares her genderqueer story and her journey of self actualisation.
THE DARK SIDE OF MONKEY
With the rise of campaigns against equality, Beatrice Fanucci takes a look at where funding for far-right groups comes from.
DOMESTIC ABUSE IN THE QUEER COMMUNITY
“I have experienced domestic abuse,” writes Val Hourican. “It’s taken me two years to write that down and sit with it. It’s a hurt I’ve worked through but it still sits there under the surface. The tension ready to break at any moment like a fish jumping out of water to avoid a predator...
KING OF THE MOUNTAIN
An absorbing read full of twisted tenderness and atmospheric tension, Hawk Mountain, the debut novel by Conner Habib, is utterly compelling. He spoke to Lisa Connell on its journey to reality. Portraits by Hazel Coonagh.
Making A Move
Choreographer and performer Nick Nikolau dances through their memories in a daring solo show at DFF. Dissecting it with Oisín Kenny, they open up about the people, queer spaces, and club nights which breathed a euphoric life into their performance. The stunning images were captured by Hazel Coonagh.
FAMILY REVELRY
After igniting a RIOT at the Dublin Fringe Festival in 2016, THISISPOPBABY celebrates the act of letting go with a glittering Irish WAKE. Ahead of their new show, writer Oisín Kenny dives into this raucous meeting between club culture and Irish tradition
All Shook Up
“Think The Wizard of Oz meets Thelma and Louise with camp pop classics as our soundtrack,” says Candy Warhol when asked to give an elevator pitch to writer Chris Rooke for her upcoming Dublin Fringe Festival show The Wind That Shakes the Wig. The stunning photos featured are all by Eoin Greally
ABSENT
Writer Dylan Coburn Gray on the the process of making a show about adoption.
Roundup of Queer Dublin Fringe Festival Shows
Take a look at the queer side of the Dublin Fringe Festival...
Fostering with Five Rivers
We started our fostering journey over five years ago now. We always believed that we had something to offer...
LETTING OFF STEAM
When it comes to his body, Geraint Llewellyn prefers to disappoint people one at a time – so as a result he’s never stepped inside a sauna. And by sauna he doesn’t mean getting sweaty in Sweden being hit by sticks.
Giving Voice
A series of short video portraits of queer men will be screened in Outhouse on the evening of Friday 23 September. The people involved share a part of their stories, accompanied by a series of beautiful images from Babs Daly
Directory
Trans & Intersex Pride 2022: Shared Communities
During the recent Trans and Intersex Pride, a powerful speech by Mike, a Trans Traveller, was read aloud on his behalf. We are proud to share his powerful words and thank those involved for permission
Goodbye, My Friends
From early days as a team member all the way up to running the organisation, our beloved Managing Editor Lisa Connell will depart after an incredible 14 years in total with GCN
Looking for back issues?
Browse the Archive >

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