Essay by a Girl from Somewhere Else |

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Essay by a Girl from Somewhere Else

Based in the US, Sarah Wright shares how applying for dual Irish/American citizenship felt almost like coming out all over again in terms of identity.

If imitation is the sincerest form of flattery, then adapting the subtitle of Maeve Higgins’s book Maeve in America for this piece is obviously true love. I am reading this book now and adore her opinion writing for both the Irish Examiner and the New York Times. Relative to each other, we are both from somewhere else.

Maeve and I are both pursuing dual citizenship, she with the United States and me with Ireland. Of course, she’s been at this much longer than I have, and the two processes are quite different. But the waiting feels universal to me, regardless of how complicated the US’s immigration system is versus how friendly Ireland’s is.

In the first place, I am in the process of registering my foreign birth. My claim to Irish citizenship is based solely on ancestry, given both of my maternal grandparents were born in Ireland. Grandpa Flynn was born in the village of Shanthallah, Ballindine, County Galway in 1896. Grandma Flynn arrived in 1907 in the village of Ballinross, Cloonfad, County Roscommon. Her name was Margaret Mary Mullarkey and her mother was also a Mullarkey. As my late great Auntie Mary wrote in a family history, if anyone tells us that we’re “full of Mullarkey,” they are right.

There are many personal reasons why I am pursuing Irish citizenship. The most obvious one is that I am half Irish. And I’ve always been taught that when something reaches a 50 percent threshold, you round up.

But there are other reasons. Chief among them is that old feminist saying, “the personal is political.” And how. If recent US history has taught me anything, it is never to take my American privilege for granted. Of course, this is exactly what I’ve been doing my whole life. Quoth the Raven: Nevermore.

Although my heterosexual career was relatively brief, I was equally unconscious of my straight privilege way back when. After coming out in 1992, such privilege suddenly seemed super obvious, which makes me wonder: how does pursuing dual citizenship compare to coming out?

For starters, both citizenship and sexual orientation are ways we identify ourselves in the world. And no matter what we do or don’t do formally in the eyes of the state, we all have status in each domain. For me, pursuing dual citizenship feels rather familiar to coming out, in a good way. While I may be from somewhere else, I still call Earth home, and am lucky to have such a wonderful family.

When I came out to my 100 percent Irish mother, we were driving in a small town also known as Lesbianville, USA. My mother’s 100% Catholicism offers context for her immediate response: “But it’s not natural.” It didn’t take long for mom to acknowledge love and attraction occur in nature, and therefore are natural. After many long conversations, I understand how valid her concerns were about my pursuit of life, liberty, and happiness.

Two years ago, I told mom I was finally serious about applying for Irish citizenship. She was all over it, digging up her father’s vital records to send to me. Of course, I also needed a copy of her birth certificate, which she forwarded as well. When I finally saw all these records in front of me, I felt the same deep connection to a larger group that I recall when I came out.

Coming out allows us to create our chosen family, which the LGBTQ+ community is well-known for. Not only do we create family, we also curate it in our own specific ways. To wit, L retreats, G brunches, B flags, T ballroom competitions, and Q+ families. We are truly one big, happy family!

From somewhere else and across the pond, Ireland feels the same way. As a GCN summer intern, I knew the moment I met this magazine’s editorial team, I was in love with every single (and married) one of them. Their warm welcome brought me right back to my last visit to the Emerald Isle. I cannot wait to return as soon as travel restrictions fade into the rearview. And I cannot thank GCN enough for helping me to become a better writer, but perhaps more importantly, a better reader. Suffice it to say, heaven is Irish writing from all over the world.

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Welcome dear reader, to the October issue of GCN.
“Recently I realised that I have been on a diet for the past 23 years”, explains James O’Hagan.
Essay by a Girl from Somewhere Else
Based in the US, Sarah Wright shares how applying for dual Irish/American citizenship felt almost like coming out all over again in terms of identity.
After what felt like a lifetime, Mother Club proved that yes, we would dance again, as the Mother Summer Block Party brought the community to its (dancing) feet.
In recent years, the LGBTQ+ community in Ireland has become more diverse but is it becoming inclusive simultaneously?
The struggle
Decade of Centenaries - Criminalisation - Harmful Legacies.
A state of collapse
Trans Healthcare in Ireland is a National Emergency.
Tomás Henegan asks why he is forced to go abroad to give blood when the country is crying out for donations.
Proud as
Holly Shortall speaks to the people depicted in the Proud AF campaign and explains why it is needed now more than ever.
Han Tiernan visits the new exhibition by artist Emma Wolf-Haugh and finds its depiction of queer women through the prism of Eileen Gray both whimsical and intricate.
On September 22, 2020, James Hudson sent a DM to Anna Walsh, an Irish writer living in Glasgow, opening with: “Hey Anna, I have been, how you say, plagued (in a good way) by your Tweets.”
Book Club – Black Queer Writers – Black Queer Readers.
The new project by photographer Niamh Barry -Within and Outside These Spaces -explores the overlap between queer people and the spaces they move in.
The Outing Festival Returns!
A new twist on an old tradition, the world famous queer music, matchmaking and arts festival is coming back to Co Clare on Valentine’s Weekend, 11 -13 February, 2022.
A vibrant new play spanning 40 years of queer life and the journeys of those involved is about to take the theatre scene by storm. Chris Rooke speaks to the creators.
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