Culture Club
Earlier this year you’ d be forgiven for feeling a bit overwhelmed by RuPaul’s Drag Race. It seemed like the reality TV hit had reached saturation point. Even in this column, I discussed my mixed feelings about the show’ s eleventh season. But Drag Race UK has been a pleasant surprise and a breath of fresh air.
with Conor Behan
Initial fears that UK queens would have to adapt themselves into an American format have proved unfounded as Drag Race UK has managed to mine a particular kind of campy British sensibility that stands apart from the catchphrases and viewpoint of the US format. However, the fact that the original production company are involved and have brought RuPaul and Michelle Visage over for proceedings has given a legitimacy sometimes missing when shows get remade. With the involvement of key people from the US version, this feels like an important part of the canon (though many fans praise Drag Race Thailand for its own take on the format).
The cast is strong, serving up young queens (some of the youngest in the show’s history) and ones who exist in a broader, comedic tradition than the generation who grew up with a drag TV show to give them pointers. While the show can feel overproduced, having moments where Blu Hydrangea discusses the reality of growing up gay in Northern Ireland or Divina Di Campo discusses life under Section 28, for queer youth the show frequently has an emotional heft that’s hard to deny.
It has taken the UK series a couple of episodes to really nail the rhythm of the runway and lip sync segments but the production feels glossy and big budget. The judging panel has been star studded too. Having two huge chat show stars in Alan Carr and Graham Norton alternate regular judging duties has given the series some serious star power. Celebrity drag fans like Andrew Garfield and Jade Thirwall have shown their bonafides as insightful guest judges and even the appearance of a somewhat baffled Geri Horner still brought some fun to the proceedings.
Sure, it’s a tad frustrating that the prize money is off the table because the BBC are involved but there’s less focus on cattiness and cutting each other down and a better mix of camaraderie and well-timed shade.
Drag Race UK has been a welcome breath of life into a mega hit that was starting to feel like a parody of itself. With a strong cast, stellar judges and a sensibility all its own, it’s become one of 2019’s most enjoyable TV surprises.
MUST Watch
‘80s comics classic Watchmen has a huge cult following and while writer Alan Moore famously shuns adaptations of his work, it’s hard to see how he wouldn’t be impressed by this new HBO series. A modern day sequel, it stars Regina King as a vigilante in a world where superheroes are outlawed and the police force wear masks. What Watchmen does brilliantly is blend the pulpy nihilistic sensibility of the original graphic novel with terrific performances that make this new series an eerie and compelling watch.
MUST Listen
After placing herself in the upper echelons of pop, Dua Lipa makes a stellar return on ‘Don’t Start Now’. While her contemporaries flirt with downbeat tempos and moody lyrics, Dua Lipa heads straight for the dancefloor with a track that channels disco alongside a pummelling pop chorus. Dua feels like the perfect pop star for the Instagram era but the clever combo of classic breakup anthem lyrics with a shamelessly pop chorus feels like a bold move for 2019.
MUST Read
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