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3 mins

DRAG + DRAW

Adrian Colwell shares how a life drawing class with drag models is opening minds and starting discussions on LGBT+ identities.

The potential for the arts as a way to connect to people has always resonated with me. Growing up in the rural midlands, I was a bit of an outsider and didn’t exactly thrive in the limited and somewhat intimidating social opportunities that were available to me; there’s no place for Whitney Houston chat at a GAA match!

It was art classes and other creative spaces that introduced me to a whole different type of person. From there on, the link between the arts and social connection is something that I have found real value in and I do not take for granted. The artworks created in an art class can often pale in comparison to the relationships built there.

This ethos formed the basis for Drag and Draw: a life drawing class with drag models. The concept came from a conversation with my friend, Ailbhe O’Connor (who teaches a lot of our sessions). Ailbhe had been telling me about a life-drawing session she had heard of where the models were pole dancers.

As we discussed the benefits of this from a drawing perspective, I wondered if a similar format could work with drag performers. This, I thought, could provide an alternative social activity for the LGBT+ community whose social opportunities, at times, can be quite limited and somewhat intimidating.

Once I thought of the name, the rest quickly fell into place. Street 66 happily came on board as our venue, the luminous Pixie Woo stepped in as our model and we held our first class to a great response. Drag and Draw has grown in popularity since then and we can proudly say we’ve been at full capacity at almost every class.

Since our coming out, we have expanded beyond our first home and collaborated with organisations and numerous arts institutions. We have a waiting list of performers who want to get dragged up and be drawn out.

We‘ve evolved a lot along the way; adding the multi-talented artist Áine Macken as another in-house teacher, while taking time to recognise issues of accessibility and connectivity. Last year, a group of people turned up to a class who were all hearing-impaired. This emphasised to us that the LGBT+ community is intersectional; a collection of communities within a community and since then we’ve had sign language interpreters (Alissa Dunksy and Emily Reynolds) available at each lesson.

We’ve also gone on the road, taking Drag and Draw to Westport and Waterford, making our classes accessible to rural-based LGBT+ people (who may be in need of their own space for Whitney Houston chat!) while hopefully demystifying drag along the way.

Since COVID-19, our plans have been scuppered slightly. We’ve taken Drag and Draw online and have hosted numerous drawing sessions via Facebook Live. This has brought new challenges, but also its own value distinct from our ordinary classes. Although the same feeling of community from our sessions doesn’t quite translate to an online realm, our reach has definitely grown, with people tuning in from Manchester and the US. We’ve also designed the class to be screen-friendly, by taking the opportunity to try out fun drawing ideas that wouldn’t be possible in real-life classes. Attendees have shared their drawings on their social media, which is always great to see and still allows for interaction between participants.

My biggest hope, more than anything else, is for Drag and Draw to become a platform for social value and inclusion. We always have a lot of interaction between audience and model which often results not only in discussions on the concept of drag but also experiences of oppression, breaking down stereotypes and LGBT+ identity in general.

Although we’ve got a dedicated group of talented teachers, the sole purpose of this class is not to make you an amazing artist. But if you want to draw in a comfortable, non-threatening environment and you want to interact (albeit online at the minute) with like-minded people… I don’t think you’ll be disappointed.

For more information check out @draganddraw on Facebook, Instagram and Twitter.

This article appears in 364

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364
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From the team
Welcome, dear reader to the first issue of GCN, since March 2020.
After the fact
It’s not difficult to find articles and essays discussing historical figures as being LGBT+. But, as Brendan Fernando Kelly Palenque suggests, perhaps there is an error in posthumously assigning definite identities that could overlook more nuanced lives
Drag + Draw
Adrian Colwell shares how a life drawing class with drag models is opening minds and starting discussions on LGBT+ identities
Why the US Election matters for LGBT+ rights
The result of the upcoming American Presidential elections will have a huge knock-on effect for LGBT+ people across the globe. Katherine Zappone reports from Massachusetts where she is currently working on the Joe Biden Campaign
Live through this
Lisa Connell caught up with community leader and LGBT+ icon, Ailbhe Smyth, to talk about her experiences with the problematically titled ‘cocooning’ during the pandemic and the wider ramifications of how we treat older members of our community. Portraits by Hazel Coonagh
Hearts run free
Brainchild of photographer Niamh Barry, Queer Hearts of Dublin is an astounding portrait of young LGBT+ lives.
GAZE from home
As the GAZE International LGBT+ Film Festival makes the necessary move online due to Dublin entering Level 3, the team still promise a veritable feast of queer cinema for your delectation.
Queer Utopia
Queer Utopia is an exciting new collaborative project from GCN inviting LGBT+ artists, activists and makers to create work based on their responses to that boldest of imaginings - a Queer Utopia.
Pose a Question
Actress, comedian, singer, author, and activist, the multi-hyphenate and multitalented Sandra Bernhard has gained a new legion of fans due to her much-admired role in the groundbreaking television series, Pose.
A tale of two rallies
Orla Keaveney attended an anti-fascist, socially distanced rally in Dublin’s city centre.
Light As Air
With so much negativity invading our attention at the moment, one must always find the time to stop for beauty.
Keep Outhouse Open
Outhouse is delighted to announce their inaugural online fundraising event, Arthouse - a live and online contemporary art auction.
Community news/listings
Due to the current situation, we cannot print our usual community listings as many venues and clubs are in a state of flux due to lockdown regulations. In lieu of that, we share here a short round-up of some of the groups and venues who managed to continue throughout lockdown and some of the services they provided. If you would like your group or service to be included, contact us at info@gcn.ie. We will return to regular community listings when appropriate
Lockdown is a drag
Photographer Babs Daly teamed up with Irish drag legends Veda and Victoria Secret for socially distanced photoshoots during lockdown which reflected the present while also imagining the future. Sarah McKenna Barry chatted to all three about the necessity of making art during strange times
Speak out
With the situation for LGBT+ people in Poland becoming more precarious since the reelection of President Andrzej Duda, Noah Halpin, of This Is Me - Transgender Healthcare Campaign, speaks to LGBT+ people directly affected and shares the fact that Poland is the number one destination for Irish trans masculine people to access certain healthcare
CLUBBING IS CULTURE
Pre COVID-19, queer spaces, club spaces and cultural spaces were increasingly under attack from too many new hotels and co-living developments.
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